The Australian World Orchestra, ANAM, State Opera South Australia and Bluesfest are among the 82 arts organisations to receive grants in the latest round of RISE funding.
Cairns-based Marliya Choir, comprising First Nations women, will open the WOW (Women of the World) Australia 2021 Festival with a performance of award-winning song cycle Spinifex Gum.
Portraying scenes and places from around the world, Camerata’s Landscapes concert offered a mixed and not entirely successful musical program.
Bernard Lanskey has been announced as the new Director of Queensland Conservatorium after working in Singapore for 15 years.
This year’s ABC Classic 100 managed to unite an ornery group of people with its hilarious stock images and predictable choices.
Dame Quentin Bryce tells us about the music she chose to accompany William Robinson's symphonic paintings in the exhibition Lyrical Landscapes, which she curated for HOTA.
Oksana Lyniv and Asmik Grigorian play blinders in Tcherniakov's revenger's tragedy at Bayreuth.
Bringing Trent Dalton’s best-selling novel to life in the theatre.
Portraying scenes and places from around the world, Camerata’s Landscapes concert offered a mixed and not entirely successful musical program.
Oksana Lyniv and Asmik Grigorian play blinders in Tcherniakov's revenger's tragedy at Bayreuth.
La Boite’s CAESAR pulls apart not only Shakespeare’s text, but the process and shortcomings of theatre making itself.
Stars align for a stellar new work by an old master, composed for violin virtuoso Anne-Sophie Mutter.
While the classic musical still shines, the seething undercurrent of passion, frustration and aggression is generally lacking in this production, despite some powerful moments.
A magical VR realisation of the compelling music by William Barton and the Australian String Quartet.
Portraying scenes and places from around the world, Camerata’s Landscapes concert offered a mixed and not entirely successful musical program.
The Australian World Orchestra, ANAM, State Opera South Australia and Bluesfest are among the 82 arts organisations to receive grants in the latest round of RISE funding.
Cairns-based Marliya Choir, comprising First Nations women, will open the WOW (Women of the World) Australia 2021 Festival with a performance of award-winning song cycle Spinifex Gum.
Bernard Lanskey has been announced as the new Director of Queensland Conservatorium after working in Singapore for 15 years.
Lacey and McGuire invite you to a magical musical bower.
Dame Quentin Bryce tells us about the music she chose to accompany William Robinson's symphonic paintings in the exhibition Lyrical Landscapes, which she curated for HOTA.
The Australian World Orchestra, ANAM, State Opera South Australia and Bluesfest are among the 82 arts organisations to receive grants in the latest round of RISE funding.
Oksana Lyniv and Asmik Grigorian play blinders in Tcherniakov's revenger's tragedy at Bayreuth.
André Messager's comédie musicale is a sheer delight from start to finish.
The Creativity in Crisis report calls for a complete overhaul of arts funding in Australia, and a reworking of government policy, to reflect the vital role played by the arts in not just our economy, but our understanding of what it is to be human.
Following the postponement of Phantom, Opera Australia has been allocated $4 million from the Federal Government's COVID-19 Arts Sustainability Fund.
Features include the return of the opera Voss, the stage adaptation of Boy Swallows Universe, avoiding one-hit wonders in new Australian music, and a profile of Global Creatures' Carmen Pavlovic as Moulin Rouge! The Musical opens in Melbourne.
The Australian World Orchestra, ANAM, State Opera South Australia and Bluesfest are among the 82 arts organisations to receive grants in the latest round of RISE funding.
Entertainer James Bustar has produced an impassioned video in which 30 artists talk about the devastating impact the pandemic has had on their careers and mental health.
La Boite’s CAESAR pulls apart not only Shakespeare’s text, but the process and shortcomings of theatre making itself.
The Creativity in Crisis report calls for a complete overhaul of arts funding in Australia, and a reworking of government policy, to reflect the vital role played by the arts in not just our economy, but our understanding of what it is to be human.
McMaster will take over the position from Robert Love, who did extraordinary work as Director of Riverside Theatres, Parramatta for two decades.
While the classic musical still shines, the seething undercurrent of passion, frustration and aggression is generally lacking in this production, despite some powerful moments.
The Australian World Orchestra, ANAM, State Opera South Australia and Bluesfest are among the 82 arts organisations to receive grants in the latest round of RISE funding.
Entertainer James Bustar has produced an impassioned video in which 30 artists talk about the devastating impact the pandemic has had on their careers and mental health.
The Creativity in Crisis report calls for a complete overhaul of arts funding in Australia, and a reworking of government policy, to reflect the vital role played by the arts in not just our economy, but our understanding of what it is to be human.
The editors of Limelight share their selection of the most exciting classical music, opera and theatre events coming soon.
Artists from Victoria’s arts community have created a social media campaign called Performance of a Lifetime, overseen by the MSO, encouraging the public to play their part and get vaccinated.
Five young Australian dancers are among the 15 finalists in the Royal Academy of Dance's Margot Fonteyn International Ballet Competition (formerly known as The Genée).
Lacey and McGuire invite you to a magical musical bower.
In Petrenko's hands, prickly Prokofiev and mellow Myaskovsky both hit the spot.
André Messager's comédie musicale is a sheer delight from start to finish.
A tantalising selection of art songs from Catalonia.
Tinalley String Quartet's second instalment of Mendelssohn Quartets excels on all fronts.
These Handel chartbusters are as good as it gets.
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