May 24, 2019
Review: Prima Facie (Griffin Theatre Company)
Suzie Miller's play is a gripping, empathetic look at how the law routinely fails victims of sexual assault.
May 24, 2019
Guy Noble’s Soapbox: Ban the boy’s club
Guy Noble reflects on how orchestral gender disparity often starts at school, and why he avoids all-male environments.
May 24, 2019
Did you hear about the strange case of Chopin’s dirty letters?
Why do some still believe the Polish pianist bedded one of Paris’s most notorious sirens?
May 23, 2019
Review: Moore Beethoven Brahms (Australian String Quartet)
Beethoven, Brahms, and a new quartet worthy of serious buzz.
May 23, 2019
Reissues round-up: Newly-Minted Minton
Eloquence reissues the Aussie mezzo’s Mahler while Bridge scrubs up a sci-fi opera.
May 23, 2019
Jewels in the Crown
George Balanchine changed the face of Western ballet. We talk to the Bolshoi’s Artistic Director Makhar Vaziev and two of his rising stars about how the world famous company has belatedly embraced the “lost son” of Russian ballet, as they perform Jewels in Brisbane.
May 22, 2019
Review: Lazarus (The Production Company)
Great music and visuals save David Bowie’s existential musical from total alienation.
May 22, 2019
Review: Cunning Little Vixen (State Opera of South Australia)
Featuring an excellent cast, Stuart Maunder's Vixen is a highly imaginative romp.
May 24, 2019
Review: Prima Facie (Griffin Theatre Company)
Suzie Miller's play is a gripping, empathetic look at how the law routinely fails victims of sexual assault.
May 23, 2019
Review: Moore Beethoven Brahms (Australian String Quartet)
Beethoven, Brahms, and a new quartet worthy of serious buzz.
May 22, 2019
Review: Lazarus (The Production Company)
Great music and visuals save David Bowie’s existential musical from total alienation.
May 22, 2019
Review: Cunning Little Vixen (State Opera of South Australia)
Featuring an excellent cast, Stuart Maunder's Vixen is a highly imaginative romp.
May 20, 2019
Review: The Masters Series (Queensland Ballet)
Queensland Ballet delivers an array of light and shade in a masterful display.
May 24, 2019
Guy Noble’s Soapbox: Ban the boy’s club
Guy Noble reflects on how orchestral gender disparity often starts at school, and why he avoids all-male environments.
May 24, 2019
Did you hear about the strange case of Chopin’s dirty letters?
Why do some still believe the Polish pianist bedded one of Paris’s most notorious sirens?
May 23, 2019
Review: Moore Beethoven Brahms (Australian String Quartet)
Beethoven, Brahms, and a new quartet worthy of serious buzz.
May 23, 2019
Reissues round-up: Newly-Minted Minton
Eloquence reissues the Aussie mezzo’s Mahler while Bridge scrubs up a sci-fi opera.
May 22, 2019
Review: Cunning Little Vixen (State Opera of South Australia)
Featuring an excellent cast, Stuart Maunder's Vixen is a highly imaginative romp.
May 20, 2019
Review: CSO Opera Gala (Canberra Symphony Orchestra)
An entertaining concert that gave a potted history of opera stretching back some 400 years.
May 17, 2019
Review: Lady Macbeth of Mtsensk (Paris Opera, Palace Cinemas)
Every element of Krzysztof Warlikowski’s production seems to work in perfect unison.
May 15, 2019
Victorian Opera to give students backstage access again
Its innovative livestreaming program, which introduces primary school students to opera, returns this month.
May 14, 2019
Australian soprano wins Guildhall Gold Medal
Samantha Clarke, a student of Yvonne Kenny's, has received the school's most esteemed award for soloists.
May 14, 2019
Il Viaggio a Reims: A Fresh Lick of Paint
Rossini’s rarely-performed opera was written for the coronation of a king, with all the excess that entails. Director Damiano Michieletto explains how he got to grips with an opera that’s more showpiece than drama, and why he had to set it in an art gallery.
May 24, 2019
Review: Prima Facie (Griffin Theatre Company)
Suzie Miller's play is a gripping, empathetic look at how the law routinely fails victims of sexual assault.
May 22, 2019
Review: Lazarus (The Production Company)
Great music and visuals save David Bowie’s existential musical from total alienation.
May 20, 2019
Review: Cloudstreet (Malthouse Theatre)
This ambitious dive into the Australian psyche struggles with the novel’s epic complexity and mystery.
May 19, 2019
Review: American Psycho The Musical (BB Arts & Two Doors Productions)
Alexander Berlage kills it with a sensationally staged production.
May 15, 2019
New miniseries created by and starring Cate Blanchett announced
She joins an all-star cast for Stateless, a drama about Australia's immigration system.
May 23, 2019
Jewels in the Crown
George Balanchine changed the face of Western ballet. We talk to the Bolshoi’s Artistic Director Makhar Vaziev and two of his rising stars about how the world famous company has belatedly embraced the “lost son” of Russian ballet, as they perform Jewels in Brisbane.
May 20, 2019
Review: The Masters Series (Queensland Ballet)
Queensland Ballet delivers an array of light and shade in a masterful display.
May 20, 2019
Review: The Line (Co3)
This three-hander about the infamous colour bar in several WA settlements is one of the company's best.
May 15, 2019
Review: The Australian Ballet (Joyce Theater, New York)
The Australian Ballet shines in work old and new, plus a sassy Mao-inspired world premiere.
May 13, 2019
Review: The Dinner Party (Expressions Dance Company)
Expressions Dance Company serves up a second helping of this award-winning work by former AD Natalie Weir.
May 15, 2019
Standing to Attention
Terracotta Warriors to march on Melbourne.
May 10, 2019
Tony Costa wins the 2019 Archibald Prize
The artist has taken out the $100,000 award for his portrait of contemporary Australian artist and Zen Buddhist Lindy Lee.
May 2, 2019
Portrait of David Wenham wins Packing Room Prize
First-time finalist Tessa MacKay’s winning portrait of the actor heralds the beginning of Archibald season, with several notable arts world figures amongst the subjects.
April 16, 2019
Marcel Duchamp: The Chess Game of Art
A major Marcel Duchamp retrospective comes to the Art Gallery of NSW.
April 15, 2019
Inaugural Katthy Cavaliere Fellows Announced
The three female-identifying Australian artists will each receive $100,000 to create ambitious new works for ACCA, Carriageworks and MONA.
May 23, 2019
Review: 2040 (Damon Gameau)
A film about global warming that manages to be both upbeat and visually lively.
May 20, 2019
Review: Blue Hour (Andreas Ottensamer)
Two superstars plumb the depths to poetic effect, despite the name.
May 20, 2019
Review: Chaplin’s Smile: Music by Charlie Chaplin (Philippe Quint)
Musical tramp’s delightful ditties make a violinist smile.
May 20, 2019
Review: Mendelssohn: String Quartets Nos 1 & 2 (Tinalley String Quartet, Greta Bradman)
And Bradman makes five for some striking Mendelssohn.
May 20, 2019
Review: Marchetti • Hope: The Last Days of Reality (Marchetti, Hope, Decibel)
Sonic sophistication from French-Australian collaboration.
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Featuring Ute Lemper, requiems to die for, Rossini's Il Viaggio a Reims, ZOFO's new Pictures at an Exhibition, the Bolshoi Ballet and the AWO's Alexander Briger.
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