Prior to the Don Burrows Memorial at the Sydney Opera House this Sunday, James Morrison pays tribute to his mentor and lifelong friend, "the most influential and beloved Bondi beach bum in Australian jazz".
Led by flautist Melissa Farrow, the Brandenburgs dance their way across France and England in a cheery return to the stage.
Emily Havea will play cocky cowboy Curly in Richard Carroll’s production for Black Swan State Theatre Company. The musical will be performed in the round with a bluegrass quartet.
The Adelaide Symphony Orchestra’s Principal Clarinettist tells us about the thrill of competitive motorsports, how drifting changed his attitude to performing, and what it’s like to play Sibelius with a collapsed lung.
The season includes seven plays, five of which are Australian and four of them world premieres, as well as three cabaret shows.
The festival, led by Artistic Director Slava Grigoryan, is set to return in 2021 with an expanded regional program.
This powerful drama about a fake priest doesn’t preach.
The new-look Limelight magazine includes major features written by Elissa Blake, James Hazel, Jo Litson and Michael Quinn.
Led by flautist Melissa Farrow, the Brandenburgs dance their way across France and England in a cheery return to the stage.
The Australian chamber opera examining the life of the sister of bushranger Ned Kelly invites curiosity and is mostly satisfying.
A joyous return to the main stage for Opera Queensland with ENCORE.
Vivat Artium! Fritzsch was the ultimate QSO magus, forming a magical trinity with the musicians and music.
Paul Selar experiences a one-on-one performance of Beethoven’s song cycle An die ferne Geliebte via the telephone.
Prior to the Don Burrows Memorial at the Sydney Opera House this Sunday, James Morrison pays tribute to his mentor and lifelong friend, "the most influential and beloved Bondi beach bum in Australian jazz".
Troubled textures in French programme of triple-viol transcriptions.
Led by flautist Melissa Farrow, the Brandenburgs dance their way across France and England in a cheery return to the stage.
A truly sensational discovery says fasten your seatbelt!
The Adelaide Symphony Orchestra’s Principal Clarinettist tells us about the thrill of competitive motorsports, how drifting changed his attitude to performing, and what it’s like to play Sibelius with a collapsed lung.
The Australian chamber opera examining the life of the sister of bushranger Ned Kelly invites curiosity and is mostly satisfying.
A joyous return to the main stage for Opera Queensland with ENCORE.
Social distancing and disinfectant help tell a tale of love, madrigals and gender politics.
During Melbourne's COVID lockdown, the Australian tenor set to work on a new album. He has just released the first track on which he joined forces with Kanen Breen.
Paul Selar experiences a one-on-one performance of Beethoven’s song cycle An die ferne Geliebte via the telephone.
The exciting looking program features eight plays, among three world premieres and a modern classic, which will be re-interrogated through an Australian First Nations lens.
Emily Havea will play cocky cowboy Curly in Richard Carroll’s production for Black Swan State Theatre Company. The musical will be performed in the round with a bluegrass quartet.
The season includes seven plays, five of which are Australian and four of them world premieres, as well as three cabaret shows.
Research conducted over two years by the Australia Council for the Arts and the Sydney Opera House shows how creative approaches help students to thrive in uncertain times.
Find out what's on stage and streaming online in November from Limelight editors Jo Litson, Angus McPherson and Clive Paget.
The program includes three classic ballets, an excerpt from Graeme Murphy's Air and Other Invisible Forces, and a new contemporary piece by Melanie Lane.
COVID has dashed our Season Preview Guide but 2021 launches are underway.
As Wesley Enoch prepares his fifth and final Sydney Festival, we look at the successes and controversies of his artistic directorship, and whether the self-acknowledged risk-taker might follow his sister into politics.
The Morrison Government has thumbed its nose at Australia’s arts and creative industries, while its support package announced in June has yet to come to fruition for any arts organisation.
Daggy kid makes good. McAllister recalls his readable road to riches.
Research conducted over two years by the Australia Council for the Arts and the Sydney Opera House shows how creative approaches help students to thrive in uncertain times.
COVID has dashed our Season Preview Guide but 2021 launches are underway.
How Nicholas Harding started drawing actors from the wings.
We are delighted at the positive response to our new-look publication, and excited to reveal what you will find in the November issue, now at the printer.
The actor and playwright has become the first Indigenous artist to win any of the prizes on offer in the Archibald Prize in its 99-year history.
Troubled textures in French programme of triple-viol transcriptions.
A truly sensational discovery says fasten your seatbelt!
Mozartists thrill on urgent journey through second installment of Sturm und Drang.
Dudamel follows Ives’ journey from minor master to maverick.
Robert Plane does British music four favours in a treasure trove of discoveries.
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A number of organisations provide support for musicians, artists and arts workers. During these challenging times for the arts industry, many have set up services to deal specifically with the COVID-19 crisis and its effect on the arts community.
