George Balanchine changed the face of Western ballet. We talk to the Bolshoi’s Artistic Director Makhar Vaziev and two of his rising stars about how the world famous company has belatedly embraced the “lost son” of Russian ballet, as they perform Jewels in Brisbane.
Queensland Ballet delivers an array of light and shade in a masterful display.
This three-hander about the infamous colour bar in several WA settlements is one of the company's best.
The Australian Ballet shines in work old and new, plus a sassy Mao-inspired world premiere.
Expressions Dance Company serves up a second helping of this award-winning work by former AD Natalie Weir.
Thanks to the dancing, this production is worth seeing, despite Greg Horsman’s cliché-ridden story-telling.
Amy Hollingsworth, the new Artistic Director of Expressions Dance Company, launches her first season.
Ako Kondo seems to float through the air in a divine performance as Giselle.
Inside the issue: Ute Lemper, Requiems to die for, Rossini's Il Viaggio a Reims, ZOFO's new Pictures at an Exhibition, the Bolshoi Ballet and more.
Featuring Ute Lemper, requiems, Rossini's Il Viaggio a Reims, ZOFO's new Pictures at an Exhibition, the Bolshoi Ballet and the AWO's Alexander Briger.
The Farm stages a B-grade thriller viewed from inside your own car.
Amelia Drummond will have the opportunity to create a new work for The Australian Ballet this October.
Artistic Directors of ballet companies are usually male, as they all are in Australia. But here, the Executive Directors are all female. Dilshani Weerasinghe and Jessica Machin tell Jill Brown about their relationship with their artistic counterparts, and the future directions they want to shape.
