In the wake of his death, we revisit a wonderful, wide-ranging interview that Andrew Ford did with the British composer/conductor in Aldeburgh in 1994.

This July marked the centenary of Ingmar Bergman’s birth. Albert Ehrnrooth looks at the role classical music played in his films and theatre from The Magic Flute to Fanny and Alexander.

Limelight is looking for a dynamic leader with a proven commitment to classical music and the arts to take on the newly-created role of General Manager.

Following examples set in the natural world, Guy Noble says goodbye to Facebook and Mark-T-shirt-wearing-Zuckerberg.

The Scottish pianist will tour Australia performing chamber music, solo recitals and a new concerto. He talks to Clive Paget about his omnivorous appetite and musical passions.

Amy Beach left a legacy of hugely accomplished works, but, asks Anthony Burton, did the social conventions of the era in which she was living stifle her true potential?

Joyce Yang brought a sense of playfulness and whimsy, along with her virtuosic technique and exceptional musicianship, to her recital for Musica Viva.

The twin titans fell out of bromance thanks to a withheld score and a milliner’s letter.

The South-Korean pianist discusses her first solo recital tour in Australia and how she’s getting to grips with a challenging world premiere.

We caught up with the trio, fresh from their win at the Melbourne International Chamber Music Competition.

Osmo Vänskä’s new disc proves he’s no flash in the pan.

Variable casting leaves the Hong Kong Ring only partially forged.