Benjamin Alard embarks on a project of a lifetime.
Review: Francesca Caccini: La Liberazione di Ruggiero dall’Isola d’Alcina (Huelgas Ensemble/Paul Van Nevel)
First opera by a woman gets the brilliant revival it deserves.
A labour of love from one of our most respected tenors.
Fortune smiles on The Orlando Consort yet again.
Novel take on music of Baroque master yields new insights.
Kolesnikov takes aim at the French Baroque and hits the bullseye every time.
A masterclass in baroque vocal pyrotechnics from the best.
Handel’s flop is a winner in Pinchgut Opera’s hands.
Intimate and revelatory takes on Beethoven piano concertos.
Faust makes a musical pact with Bezuidenhout, with heavenly results.
Review: Gershwin: Rhapsody in Blue, Piano Concerto in F (Kirill Gerstein, St Louis Symphony Orchestra/David Robertson)
Protean pianist proves he’s sure got rhythm – and then some.
A glittering performance from one of Australia's top sopranos, Emma Matthews.
From the Western Australian goldfields to an international concert, broadcasting and film career, pianist Eileen Joyce was a true original, as Will Yeoman discovers in a new book.