Review: Romeo Retold (Tasmanian Symphony Orchestra)
The Tasmanian Symphony Orchestra celebrates its 70th birthday in high-octane style.
Stephanie Eslake is a Tasmanian writer with degrees in both Media and Music. She has strong connections with members of her local music community. She has been published in the Mercury, TasWeekend, The Saturday Magazine, The Sunday Tasmanian, The Dwarf, Aphra Magazine and also worked as Warp Magazine’s Subeditor. founded Stephanie founded CutCommon in 2014 as Australia’s only online magazine for the young classical musician.
The Tasmanian Symphony Orchestra celebrates its 70th birthday in high-octane style.
Sonata repertoire enhanced by three individual new works.
A match made in heaven, Tiberghien and Tausk leave audiences truly impressed.
An opportunity to familiarise yourself with the cor anglais.
Outstanding Aussie compositions with fine performers to boot.
Nothing less than true musicianship from pianist Stephen Hough.
This modern opera, telling a tragic love story in reverse, is strong conceptually, but with a lot of haze.
Gender-swap aside, this is an important, deeply moving opera at a time when we need to continue these conversations.
If the music is good, does it really matter if it’s not real?
McMichael and de Borah prove most loquacious tale tellers.
Solo debut showcases clarinet in Australian compositions.
A monumental work revealing Tasmania's disturbing history.
Fine art meets fine music in BIS’s latest Respighi release.