Dudamel follows Ives’ journey from minor master to maverick.
Phillip Scott is a writer/actor/composer/pianist best known for the Sydney Theatre Company’s annual Wharf Revue. His cabarets include 30 Something. He composed the musical The Republic of Myopia for STC, and the scores for Monkey Baa’s Pete the Sheep and Josephine Wants to Dance.
Articles by Phillip Scott
An itinerant life that produced exciting, exotic music.
Another superbly serious encounter courtesy of Igor Levit.
Rarely heard chamber masterpieces superbly played.
Rediscovering a colourful piece of Ballets Russes exotica.
In a new batch of reissues, Eugen Jochum and Andor Foldes impress, but Charles Munch is only for completists.
ASQ founder’s quartets offer a delightful chamber music discovery.
A collection of miniatures by an underrated modern master.
A siren Song of the Night takes us on a nocturnal journey.
Fine performances from all concerned, but not temperamental enough.
Kathy Selby and friends turn a cancelled tour to their, and our, advantage.
The roaring ‘20s and elegant ‘30s preserved in aspic.
Aussie quartet rediscovers a 20th-century German master.