Review: Adams, Debussy & Ravel (London Symphony Orchestra)
This stunning, vital performance is a thrilling start to the London Symphony Orchestra's Australian tour conducted by Sir Simon Rattle.
Paul Ballam-Cross is a writer and classical guitarist. He holds a Bachelor of Music in Performance and a Doctor of Philosophy, majoring in Musicology. He loves collecting records and will happily spend hours researching everything from the Baroque to noise rock.
This stunning, vital performance is a thrilling start to the London Symphony Orchestra's Australian tour conducted by Sir Simon Rattle.
Back to the future for Levin’s Mozart concerto survey.
As the Australian Chamber Orchestra prepares to explore it, we examine the groundbreaking music of Wendy Carlos and her trailblazing career.
Chopin and Latin music combined in pianist Sergio Tiempo’s reflective and impressive recital.
Echos of Kronos in Mivos Quartet’s new Steve Reich survey.
A personal but also circular journey via didge and violin.
Fresh sounds, big events, little gems, cross-genre collaborations, world premieres; it’s a new world for arts organisations, so what do they have in store this year?
What do our small to medium ensemble have on offer in the year ahead?
Almost all that glitters really is gold in Isserlis’s cello recital.
Despite some impressive performances, this concert was let down by some odd programming choices.
This home-grown, semi-staged concert version is pretty darn good and a real crowd-pleaser.
Eclectic electric century-hopping guitar recital from Scottish guitarist.
In its debut concert as the new Company in Residence at QPAC, Ensemble Q gave a vivacious performance of works by Beethoven and Paul Dean.