Review: Maria Callas: A Concert in Hologram (Melbourne Symphony Orchestra)
Through the wonders and shortcomings of technology, the legendary soprano makes her Melbourne debut 46 years after her death.
Patricia Maunder has been an arts journalist since the 1990s, interviewing the likes of Sir Andrew Davis and Renée Fleming, and contributing to publications such as The Age and Opera (UK). Based in Melbourne, she’s passionate about opera, theatre and anything Baroque.
Through the wonders and shortcomings of technology, the legendary soprano makes her Melbourne debut 46 years after her death.
A small but mighty production of the Tony Award-winning musical about fabulous footwear and accepting people for who they are.
An exciting showcase – not just for Lior and his new song cycle, but also for the MCO’s string players.
Dickens’ festive classic is cleverly reinvented with cross-cultural humour, heart and Christmas magic.
This playful and intriguing adaptation of Virginia Woolf’s gender-bending novel rethinks musical-theatre conventions.
An unforgettable display of technique, artistry and talent from the Peruvian star – and stage personality to seal the deal.
Through the experiences of three very different women, playwright Patricia Cornelius explores football’s sinister underbelly of sexual misconduct.
Choose your own adventure in this immersive theatre production that entertains more through style than substance.
This accessible, thought-provoking new opera about the First Fleet's arrival helps fill a gap in a history written by visitors who never left.
The Australian mezzo returned to her hometown for an intimate performance of Romantic-era songs.
Patricia Cornelius adapts her own novel about a family torn apart by the ripples of war.
A fascinating contemporary Australian opera inspired by Renaissance music and a true Renaissance Man.
Sopranos Helena Dix and Eleanor Greenwood are magnificent as rival queens in Donizetti’s Tudor tragedy.