Review: The Almighty Sometimes (Melbourne Theatre Company)
Nadine Garner and Max McKenna are compelling as mother and daughter in this insightful, nuanced play about mental illness.
Patricia Maunder has been an arts journalist since the 1990s, interviewing the likes of Sir Andrew Davis and Renée Fleming, and contributing to publications such as The Age and Opera (UK). Based in Melbourne, she’s passionate about opera, theatre and anything Baroque.
Nadine Garner and Max McKenna are compelling as mother and daughter in this insightful, nuanced play about mental illness.
Australia’s Mr Baroque, Erin Helyard, led a splendid concert starring soprano Samantha Clarke.
This indie production of the Hitchcock parody play doesn’t always click, but comic energy and clever stagecraft will win audiences over.
A country footy club becomes a microcosm of Australia in this energetic, funny and discomforting play about racism.
Rustic humour gets caught up in existential anxiety in this two-hander loaded with talent.
A classic of early English theatre, this tale of bloody revenge is imperfectly reimagined as Gothic horror.
Even actors as talented as Sheridan Harbridge and Jing-Xuan Chan can’t make this two-hander about love and grief particularly memorable.
This musically and visually delightful production of Leonard Bernstein’s operetta kicks off a new era for Victorian Opera.
Clever, funny and with a winning leading man, Tim Minchin’s music theatre take on the classic movie is a treat.
A gifted cast of veterans play teenagers in this clever, funny and poignant trip down memory lane.
A cast of rising stars and veteran talents deliver an entertaining, sometimes inspired new production of this nostalgic, feel-good musical.
Richard Mills’s new opera reaches for the stars, but they don’t quite align for the outgoing Victorian Opera Artistic Director
Through the wonders and shortcomings of technology, the legendary soprano makes her Melbourne debut 46 years after her death.