Review: “Intoxicated Man” – Presenting the Songs of Serge Gainsbourg (Adelaide Fringe Festival)
More a musical pavlova than a croquembouche, but tasty nevertheless.
More a musical pavlova than a croquembouche, but tasty nevertheless.
Vocally and emotionally, you longed for the depth of the man himself, but that was just plain unreasonable.
The combination of Coughlan's authentic lived-in blues and engaging humour was intoxicating
Intriguing and enjoyable – but more jam session than show.
More magician than homme fatale in his Thierry Mugler original, Ratzke still transported his audience on a titillating journey of the imagination.
A 'middling' cultural icon presenting songs from his 'middling smash' brought the house down.
With the help of a sparkling misfit ensemble, Charly Zastrau and Ali McGregor have created a seamless, incisive tribute to the American singer-songwriter.
Sydney underbelly and Adelaide jazz songstress/composer were an almost perfect match.
Only Lea Delaria can seamlessly interpose gentle intelligent lounge jazz with candid sexuality.
Get her while you can, don't turn your back on love.
A well constructed less-is-more cabaret homage to 'the Princess'.
A tasty, pleasant, Sunday afternoon chocolate box of classical, blues and ragtime piano.
So spiritual that it could have shaken the most ardent of atheists.