Review: Soweto Gospel Choir (Adelaide Fringe)
Two years on, the Soweto Gospel Choir is soaring to even greater heights.
Two years on, the Soweto Gospel Choir is soaring to even greater heights.
They've got rhythm, they've got music, who could ask for anything more?
Impossible to pigeon-hole, the multi-talented artist offered an evening that mixed pop delight and cabaret intrigue.
The West End star brings a distinctive British sparkle to the Broadway hits in her delightful cabaret show.
An infectious interactive experience from which there's no escape, even for the cautious bystander.
A fateful phone call between an aging star and an emerging starlet becomes the vehicle for an unforgettable evening of exquisite cabaret.
D'Arietta's Cohen was a safe, satisfying journey rather than a ride.
More a musical pavlova than a croquembouche, but tasty nevertheless.
Vocally and emotionally, you longed for the depth of the man himself, but that was just plain unreasonable.
The combination of Coughlan's authentic lived-in blues and engaging humour was intoxicating
Intriguing and enjoyable – but more jam session than show.
More magician than homme fatale in his Thierry Mugler original, Ratzke still transported his audience on a titillating journey of the imagination.
A 'middling' cultural icon presenting songs from his 'middling smash' brought the house down.