On Screen: in cinemas and streaming from June 2021
In this month's column, Lynden Barber praises the storytelling efficiency of TV comedy and examines a film with a Maori theme.
Lynden Barber is a film and TV commentator of three decades standing and a screen studies teacher. His credits include reviewing for the Sydney Morning Herald, The Australian and The Guardian, and the artistic directorship of the Sydney Film Festival. He has reviewed films for Limelight since 2007.
In this month's column, Lynden Barber praises the storytelling efficiency of TV comedy and examines a film with a Maori theme.
In a personal documentary David Gulpilil looks back at his life and screen career.
Lynden Barber celebrates Latin American cinema with Chile’s Ema and Argentina’s Heroic Losers.
The performances are marvellously subtle but the film often feels soporific.
Lynden Barber turns to France in his latest column, spotlighting the fourth season of Call My Agent! and the film My Donkey, My Lover & I.
It’s certainly harder to justify regular visits to the multiplex when new feature films and serials of quality crop up on the various streaming services, writes Lynden Barber in his latest column.
Docudrama on rural nomads taps into the Steinbeck tradition.
This month, Lynden Barber reviews the Netflix series Delhi Crime, based on a real, brutal crime committed in 2012, and the droll UK series Detectorists.
With so much great material for TV streaming viewers to choose from, the conundrum is how to navigate the oversupply, says Lynden Barber in his latest column.
Even Kate Winslet fails to fire in this slow, miserable film.
Anthony Hopkins gives one of his greatest performances.
This month, Lynden Barber reviews the film Misbehaviour about a feminist protest against the 1970 Miss World contest, starring Keira Knightley, and the Netflix series The Queen’s Gambit, starring Anya Taylor-Joy as a competitive chess player.
This powerful drama about a fake priest doesn’t preach.