Review: Werther (Opera Australia)
Michael Fabiano makes a promising role debut, but the real star is Elena Maximova's vividly realised Charlotte.
Michael Fabiano makes a promising role debut, but the real star is Elena Maximova's vividly realised Charlotte.
Returning to perform in Opera in the Market after a decade, the soprano discusses what it's like to work with young singers, her artistic ethos, and the joys of audience reaction.
First presented to Dame Joan Sutherland, the Opera Australia Trophy recognises Moshinsky’s service to the company and contribution to Australia’s operatic landscape.
The acclaimed British actor, best known for her Hamlet, will appear with Sydney Theatre Company in August.
Melbourne’s yearly awards ceremony for the performing arts celebrates 2018's outstanding achievements.
The stars of Victorian Opera’s upcoming production of Parsifal talk the holy fool and the wandering Jew.
She joins a long list of classical music luminaries including Rostropovich, Isaac Stern, and Kaija Saariaho.
Kate Mulvany's adaptation places both queens centre stage, providing an excavation of their shared humanity and grave shortcomings.
A splendid start to the season, with storytelling at the forefront.
We talk to the playwright as she prepares to make her mainstage debut in her own play.
A rich portrait of a girls’ indoor soccer team that captures all the awkwardness, pain and joy of soon to be shed adolescence.
A night with Herr Kaufmann is undoubtedly one well spent.
Fascinating collection of rarities from the romantic side of Mons. Fauré.