Review: H.M.S. Pinafore (Hayes Theatre Co)
Kate Gaul's gloriously camp, cross-gender production makes the G & S operetta feel fabulously fresh.
Jo Litson is the Editor of Limelight Magazine. She took up the position in late 2018 having joined the magazine as Deputy Editor in 2016. During a 35-year career as an arts journalist she has been a contributor to numerous publications including Limelight, The Australian, The Bulletin, and the Qantas magazine. She was the arts writer and theatre reviewer for The Sunday Telegraph for 12 years until 2018, and has written the labels for the Archibald Prize for the Art Gallery of New South Wales for over 20 years.
Kate Gaul's gloriously camp, cross-gender production makes the G & S operetta feel fabulously fresh.
The renowned Indigenous composer, singer and Artistic Director of Short Black Opera has won the $60,000 Prize.
Tos Mahoney, Artistic Director of Tura New Music in Perth, tells Jo Litson about Kimberley Echoes, a cross-cultural celebration of Kimberley country and its people, which is heading to Australia’s eastern states this month.
The one-time Sydney Dance Company performer, is now creating striking artworks made from ballet shoes.
A major retrospective by UK artist Cornelia Parker is coming to the Museum of Contemporary Art.
Sir Andrew Davis, Alondra de la Parra and David Robertson are about to conduct their final concerts as artistic chiefs of the Melbourne, Queensland and Sydney Symphony Orchestras respectively. Here’s a look back on their time Down Under.
A joyous 50th anniversary celebration including alumni and audience members.
Curator Daniel Browning and artists participating in Momentum at Barangaroo will be joined by Yo-Yo Ma next Tuesday.
The commercial producer discusses his collaborative partnership with NIDA to develop a new Australian musical.
Isabelle Adjani in a stage adaptation of Cassavetes' Opening Night, acclaimed choir Tenebrae, and a tribute to Reg Livermore's Betty Blokk-Buster feature.
As his contract is renewed until the end of 2023, Terracini discusses his 10 years at OA, the introduction of musicals and digital productions, and getting married.
This fresh, fearless, very funny play is bursting with ideas and heralds an exciting young playwright.
Anthony Warlow finally plays the dual title roles live in an impressive semi-staged concert.