Review: Blackheath Chamber Music Festival 2024: Day Three
Bravura performance of septets by the SSO principals and octets from the Goldner and Orava Quartets bring this year’s festival to a triumphant close.
A Prague-trained scenographer, Jansson J. Antmann designed Andrew Lloyd Webber’s Tell Me On a Sunday in Sydney and the Czech Republic. A regular guest on ABC Overnights and Editor of LaVie in Europe, he was the publicist at Darlinghurst Theatre Company and acting Deputy Editor at Limelight, where he is a regular contributor.
Bravura performance of septets by the SSO principals and octets from the Goldner and Orava Quartets bring this year’s festival to a triumphant close.
A perfect night at the opera opens OQ's inaugural Brisbane Bel Canto festival, giving soprano Jessica Pratt a production of Lucia to call her own.
Opera Queensland is on a mission to take opera as far afield as possible and change the way it’s perceived.
The editors of Limelight share their selection of the most exciting classical music, opera and theatre events coming soon.
This month’s performance highlights from ABC Classic, independent radio and streaming.
This year’s festival is off to a virtuosic start with Louise Johnson in The Harp's Journey and the Goldner String Quartet’s 30th-anniversary celebration.
The Australian Ballet's dancers make Johan Inger’s masterpiece their own, meeting his challenge to find the human in its ugliness and beauty.
“This is me. This is my world!” Tim Draxl puts a new and personal spin on Sunset Boulevard's cynical protagonist.
The editors of Limelight share their selection of the most exciting classical music, opera and theatre events coming soon.
Barrie Kosky’s brilliant makeover of Brecht, Weill and Hauptmann’s flawed masterpiece leaves you wondering how it could be performed any other way.
Rear Window meets Cabaret in this joyous and sometimes achingly romantic exposé of desire, intimacy and love.
Making the most of a spectacular setting, Stephen Page’s first work since leaving Bangarra is surprisingly intimate given its grand scale.
Presented in Australia for the first time, Robert Lepage’s puppetry-based staging of Stravinsky’s short works is as brilliant as ever.