The company has set aside 2,000 tickets to John Bell’s monumental Tosca for people who have not previously purchased tickets for an Opera Australia performance.
Angus McPherson joined the Limelight team in 2016 and has written for music and arts publications including Realtime Arts, Music and Literature (US) and CutCommon as well as the Journal of Music Research Online. As a flute player he has performed and taught in the USA, the UK and Canada and his articles on flute playing have appeared in specialist publications including Flute Focus, Flute Tutor Australia, the British Flute Society’s journal Pan, and the Dutch flute magazine FLUIT.
Articles by Angus McPherson
With live music operating at under four percent of pre-COVID levels, more than 3,500 music industry artists, workers, venues and businesses have signed an Open Letter to the Australian Government calling for JobKeeper to be extended.
The period instrument ensemble will be livestreaming each tour thanks to Melbourne Digital Concert Hall, as well as launching a new series of concert films.
Flautist Geoffrey Collins named Emeritus Artist while violinist Dene Olding clocks up 40 years with the Australia ensemble in a season that will celebrate the group's core members.
Simon Gleeson, Natalie O’Donnell and Callum Francis are heading to Launceston for this year’s festival.
The ACO rescues a beautifully constructed program of Soviet music from the ashes of 2020.
The composer, conductor and founder of Gondwana Choirs has been named as the 2021 recipient of the award presented by the University of Melbourne and the Melbourne Symphony Orchestra.
Great friends and musical collaborators flautist Sally Walker and composer Elena Kats-Chernin discuss a new chamber arrangement of Kats-Chernin’s flute concerto.
The intimate concert series, which is being presented in Australia at the Adelaide Festival and around the country, has received the Health:Angel award in the social engagement category.
“Home-grown conductors – Australia needs ‘em!” Christopher Lawrence tells us about the inaugural program, which is one of four new fellowships offered by Create NSW.
Ahead of her first performance in 11 months, the New York-based pianist talks to Limelight about the allure of Philip Glass's music, which she will perform at the Sydney Opera House's Bennelong restaurant.
Young people around the world can tune in to Fun Kids Classical, aimed at children ages six to 12.
Festive fare from Tamara-Anna Cislowska and her five colleagues as Sydney Town Hall hosts six grand pianos.