Angus McPherson joined the Limelight team in 2016 and has written for music and arts publications including Realtime Arts, Music and Literature (US) and CutCommon as well as the Journal of Music Research Online. As a flute player he has performed and taught in the USA, the UK and Canada and his articles on flute playing have appeared in specialist publications including Flute Focus, Flute Tutor Australia, the British Flute Society’s journal Pan, and the Dutch flute magazine FLUIT.
Ahead of her first performance in 11 months, the New York-based pianist talks to Limelight about the allure of Philip Glass's music, which she will perform at the Sydney Opera House's Bennelong restaurant.
Young people around the world can tune in to Fun Kids Classical, aimed at children ages six to 12.
Festive fare from Tamara-Anna Cislowska and her five colleagues as Sydney Town Hall hosts six grand pianos.
The long-time Limelight critic has died at age of 81 after a long illness.
The groups are just two of the recipients of Create NSW’s Play the City initiative, which is helping artists put on COVID-Safe concerts in the centre of Sydney.
William Barton and Véronique Serret evoke an ever-shifting landscape that grips the audience from start to finish.
Co-director Chris Howlett gives us a taste of what’s on offer in the festival’s second year.
Judith Neilson’s new cultural centre is kicking off 2021 with a site-specific work from choreographer Rafael Bonachela and Sydney Dance Company, with plenty more to come.
The RØDE Founder and Chairman, who made headlines last year with his purchase of Kurt Cobain’s ‘MTV Unplugged’ guitar, has given the Festival its largest ever philanthropic donation.
Tamara-Anna Cislowska tells us about a concert at Sydney Festival that will see six pianists play six grand pianos in the Sydney Town Hall.
Andrew Haveron braves wild weather as Vivaldi’s concertos are reimagined for the climate disaster of the 21st century.
Old mates Teddy Tahu Rhodes and Guy Noble tell us about their upcoming recital at City Recital Hall and why live performance should be considered an essential service.
Shari Sebbens has been appointed Resident Director, while Courtney Stewart is the company’s new Richard Wherrett Fellow.
