The innovative online platform is teaming up with the National Art School to broadcast concerts from the Cell Block Theatre.
Angus McPherson joined the Limelight team in 2016 and has written for music and arts publications including Realtime Arts, Music and Literature (US) and CutCommon as well as the Journal of Music Research Online. As a flute player he has performed and taught in the USA, the UK and Canada and his articles on flute playing have appeared in specialist publications including Flute Focus, Flute Tutor Australia, the British Flute Society’s journal Pan, and the Dutch flute magazine FLUIT.
Articles by Angus McPherson
The actor and playwright has become the first Indigenous artist to win any of the prizes on offer in the Archibald Prize in its 99-year history.
After coming under fire for the lack of diversity in its 2020 cohort of semi-finalists, the RGE has announced changes to the way it will operate, and has cancelled the 2020 competition.
TSO House will showcase Tasmanian composers past and present, with music available to hire to orchestras, community ensembles and schools around the world.
The Sydney ensemble has taken out the top prize in Musica Viva’s inaugural National Chamber Music Championship for secondary school ensembles.
The musician, author and advocate has been recognised for his outstanding contribution to Australian Music.
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The Media, Entertainment & Arts Alliance has accused the company of “acting unconscionably”, but Opera Australia claims that there are inaccuracies in the union's public statement.
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We speak to Artistic Director Claire Edwardes about a quarter-century of new music, and celebrating a milestone birthday under unusual conditions.
The orchestra will be back in Adelaide Festival Centre’s Festival Theatre in September, as long-serving concertmaster Natsuko Yoshimoto bids the ASO farewell.
Liebeck brings plenty of heart to Schoenberg, in a magical pairing with Brahms.