3 May, 2011
CD and Other Review

Review: MOSTLY MOZART (soprano: Mojca Erdmann; La Cetra Barockorchester Basel/Marcon)

Mojca Erdmann is a young soprano from Hamburg, best known for her role in Simon Rattle’s Berlin recording of Ravel’s L’Enfant et les Sortilèges and as the soloist in Jonathan Nott’s performance of Mahler Four. In this, her first solo album, she seems perfectly matched to the Classical-period repertoire. Her smallish voice is flexible and pure-toned and she makes good use of vibrato for dramatic purposes, singing with great control, considerable beauty and an obvious awareness of character and dramatic context.  The program consists mostly of Mozart’s lighter roles. She is a pert Zerlina, but less characterful as Susanna. Even so, she manages the legato winningly in Susanna’s aria Deh vieni, non tardar. She throws herself with gusto into Tiger! Wetze nur die Klauen from Zaide, capping the aria with a ringing top D, yet draws out the line of Pamina’s aria from The Magic Flute at a slow tempo to produce a poised and heartfelt interpretation. Erdmann also sings two excerpts from Günter von Schwarzburg by Ignaz Holzbauer, an opera Mozart himself enjoyed, as well as arias by JC Bach, Paisiello and Salieri. Marcon and his “historically informed” band La Cetra play beautifully, another plus for this highly enjoyable…