A liturgical performance of Beethoven's masterpiece, exactly 200 years after its first hearing, reminds us that peace is always longed for, seldom found.

The Danish String Quartet violinist explains how the Prism series has been a rite of passage.

Australian Haydn Ensemble's latest tour reveals the telling detail in works we've become used to experiencing at scale.

Inspired by the big screen release of Chevalier, Limelight trawls the streamers and DVD shelves for the best cinematic explorations of the lives of classical music greats.

Lively and refreshing interpretations of works by Mendelssohn and Beethoven propel the orchestra's eastern seaboard tour.

Beethoven’s final utterance and Webern’s earliest conclude Danish String Quartet series.

This cycle hits the highs - both geographically and musically.

It’s not unusual for musicians to disregard much-discussed Beethoven's tempo markings and set their own pace. A new recording project sets a new low.

Lead-poisoning has long been suspected. Syphilis has been mentioned. Liver disease assumed. But what really killed Beethoven?

The Aussie-born barrister-pianist continues to make a case for your attention.

We explore the history of Fidelio, and talk to Simone Young and First Nations writer Tyson Yunkaporta about the Sydney Symphony Orchestra’s new concert version.

Drawing upon his instincts as a composing musician, the Finnish piano virtuoso gives a masterful reading of Beethoven and Bach at Adelaide's UKARIA Cultural Centre.