Polish composer Karol Szymanowski’s two string quartets were written under vastly different circumstances. The First Quartet was completed in 1917 at the end of his three-year confinement in Russia during the First World War. It is typical of his output during this period – heavily influenced by both Debussy and Scriabin but, as ever with this remarkable composer, recognisably his. The Second Quartet was written ten years later, in 1927, after the return to his native Poland and during his first year as director of the Warsaw Conservatorium. 

By this time, Szymanowski had been influenced by both Stravinsky and Polish nationalism and his mature style, while retaining his individuality, includes elements reflective of both. Biographical details of Ludomir Rózycki are not well known. As well as composing throughout his life, he was an important teacher and administrator in the Polish music scene. (He was the first chairman of the Polish Composers’ Society and Dean of Music at the National Higher School of Music.)

His String Quartet, written in 1906, is a workman-like effort firmly rooted in a neo-romantic style. The Warsaw-based Royal String Quartet are superb advocates for this music and, especially in the two Szymanowski quartets, bring a subtlety and skill that enhances this fine music. As ever, Hyperion’s recording quality and sleeve notes are first class. 


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