German guitarist Oliver Fartach-Naini brings a haunting, mellow sonority to the opening milonga, Un neuvo día (a new day), of Argentinian guitarist-composer Máximo Diego Pujol’s Seis Revelaciones. Fartach-Naini’s attractive new disc, Suite Latina, is the final of four recordings by the guitarist (who leads the guitar department at the Elder Conservatorium in Adelaide) at the core of his doctoral dissertation examining the phenomenon of ‘ethno-classicism’ and the confluence of African, Amerindian and European traditions in South American music and the guitar repertoire internationally. It brings together four works by guitarist-composers – Pujol’s Seis Revelaciones and Suite Adelaires, fellow Argentinian Héctor Ayala’s Serie Americana and Australian Richard Charlton’s Suite Latina – which draw on the myriad musical cultures that have shaped the guitar repertoire.