While the score is not consistently as good as that of Cinderella, for example, it merits attention and admiration. This recording is aimed at a different market to the traditional one, so highlights are as much as some opera buffs might want. With 78 minutes of music the selection offers a good overview of the work, though I doubt the wisdom of using overtures in recordings of vocal highlights.

Chandos have wisely concentrated on the ensembles as Rossini, like Mozart, was at his best in these. The brilliant Act 1 Finale is a test for all the singers. Managing fast patter clearly while remaining in balance with the accelerating ensemble is a principal aim of performance in these operas, and this brilliant finale provides one of the great moments in opera. In contrast, the Cavatina from Act 2 (preceded by an exquisitely played cello solo) is a fine example of how the composer could handle the delicate tracery of slow bel canto.

 Opera in English has its pitfalls.As a singing language it can’t hold a candle to Italian; where many open vowels allow the singers to extend notes. Translator David Parry has done very well, making textural sense as well as allowing the musical line the flexibility it requires. The clear diction of the outstanding cast is notable. Brad Cohen’s tempi are excellent. The choir and the Philharmonia perform the music with clarity and sparkle. The recording is first-rate.

 
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