In Il Tramonto, mezzo soprano Anna Caterina Antonacci brings to life a lyrical poem, singing with an assurance tainted with a human essence as she shares a tumultuous tale of love. When Vetrate di Chiesa (Church Windows) begins, we hear a fullness whose absence so far I’d not observed. The excitement of San Michele Arcangelo embodies the sound of crashing waves, followed by all the pride and bravery of its titular character battling the beast! By the time we reach San Gregorio Magno, a disturbing calm-before-the-storm precedes a crescendo and centre stage of startling effect. Beyond, the entire ensemble seems to ring as church bells, and the musicians conclude with a finish worthy of applause even sitting at home in your living room. One of the strongest albums you’ll hear for a while.