It is the earthy directness of violinist Franziska Pietsch’s sound, over Detlev Eisinger’s sepulchral piano, that captures the ear of the listener in this disc from Audite.

Prokofiev likened a passage in the first movement of his First Violin Sonata to “wind sweeping across a cemetery” and Pietsch and Eisinger perfectly conjure this darkness, their spacious tempo giving the movement a sense of deep loneliness that periodically swells into pained longing. There is a gritty violence to the jagged Allegro brusco and the third movement is searingly plaintive. The intimate recording captures every detail of Pietsch’s resonant pizzicatos in the outer movements and the finale bristles with folk-energy, receding into quiet lyricism.

The Second Violin Sonata – originally composed for flute but arranged for violin at David Oistrakh’s prompting – is almost pastoral. Composed during Prokofiev’s sojourn in the Ural Mountains during World War II, a jagged motif whose rhythm echoes the Morse Code “V for Victory” that accompanied the BBC’s broadcasts recalls the ongoing violence. The motif – three dots and a dash – sends aural sparks flying from Pietsch’s violin and there’s a quirky bounce to her Scherzo

Pietsch and Eisinger interweave soulfully in the Andante and the finale emanates both raw energy and control. The Cinq Mélodies are a lighter coda to the two Sonatas (a standard pairing, Alina Ibragimova offered this programme on her 2014 album), but a nonetheless charming denouement to a fine CD.

Limelight subscriptions start from $4 per month, with savings of up to 50% when you subscribe for longer.