Sadly I was forever turned off the soprano saxophone by smooth jazz superstar Kenny G. Not by his success – any instrumentalist who sells more than 75 million albums earns my awe, if not respect. No, it was his effortless frippery and shinily sugared tone that soundly nailed the coffin.
Which brings me to that other soprano sax superstar, Jan Garbarek, and his latest pairing with The Hilliard Ensemble. On this, the second follow up to the phenomenally successfully 1994 collaboration Officium, they dovetail what they individually do best – liquefied saxophone improvisations and crisply sung early music – to create a gentle atmospheric fusion. The comparison that springs to mind is of a graffiti artist wandering through the Sistine Chapel and tagging at will. Don’t get me wrong – I’m all for breaking down genres. No, it’s the slack aesthetic and overall lack of purpose that I have a problem with.
On the plus side, the recording itself is superb. Like the first two CDs, it was recorded in a richly reverberant Benedictine monastery in the Austrian mountains. Likewise, I cannot fault the technique and expressivity – they are, frankly, sublime. It’s just that overall the venture feels inconsequential.