The Spanish title has theatrical associations; the work’s formal opening giving way to a livelier section in which the soloist is seriously tested. Paul Goodchild passes with flying colours. From the same period are sonatas by Martinu and Hindemith. Even in an intimate work such as the Sonata, Hindemith’s stern style is on show, the musical responsibilities shared equally between the two musicians.

Goodchild’s poetic side can be heard in the lovely Choral, La Vieille Année s’en est Allée by Pierre Max Dubois. Bernstein’s Rondo for Lifey, which follows, is in perky contrast. In a similar vein, Ibert’s Impromptu has a jaunty feel to it. Australian composers are also well represented.  Mathew Hindson’s Ignition: Positive is a study in contrasts. The slow opening gives way to a raunchy and engaging finale. Fellow Australian Alan Holley contributes a set of six ruminative, unaccompanied pieces. The recording is first-class and Greg Keane’s notes are stylish and informative.