It is easily forgotten that silent movies were never silent. In classier cinemas one usually found an orchestra of indeterminate size scrabbling furiously in pursuit of the villain, or sympathetically setting the mood for a love scene. Even in smaller establishments there would be at least a pianist banging away. 

For the most significant films, a full score would be commissioned, and a few of these rarities were so good that they have survived to the present day. Gottfried Huppertz’s score for Metropolis, written in 1927 to accompany the dazzling film by Fritz Lang, is one such example. The useful notes that accompany the CD give us a story of the scrupulous way in which Huppertz approached his job, including visits to the set during filming. Only with the discovery of the missing 20 minutes of footage in 2008 has the fully restored film and its score been rehabilitated. 

Interest in the film was rekindled in 1983 when Giorgio Moroder released a partial restoration with a rock score he himself had composed with a little help from his friends, including Freddie Mercury of Queen. Whatever the merits and curiosities of that version, the original 1927 score is a fascinating cultural document of its time, and very impressive to boot. 

Oddly, despite its bravura, imagination and remarkable filmmaking process, Metropolis was not received all that well in 1927. However it is now regarded as the early cinematic masterpiece it always was. Conductor Frank Strobel, an expert in this field, has made an excellent recording with the Berlin Radio Orchestra. Inhabiting as it does the musical world of Korngold, the score should appeal to all lovers of the high romantic in music.

Frank Strobel conducts the Sydney Symphony in the Australiain premiere of the Metropolis score October 28-29. View event details here.