Brazilian pianist Fabio Martino studied and now lives in Germany. His second solo recital disc concentrates on the big guns of the Romantic repertoire: Beethoven’s Piano Sonata No 23 (Appassionata); Liszt’s three Liebesträume, and Schumann’s Fantasy in C, Op. 17. Martino’s Appassionata is clearly conceived as a whole. He saves the surging drama for the final movement, notably the closing Presto, and deliberately understates the work’s opening movement, which proceeds prettily with no overt suggestions of significance. The work unfolds naturally: an approach I like in Beethoven. The Liszt pieces are sympathetically done, with poise and a feeling for rubato that gives them an improvisational feel. Martino seems especially in touch with the sound world of Schumann. In the rhapsodic Fantasie of 1835 he sweeps through the Sturm und Drang with passion, and is suitably restrained in the final movement. Here’s a young artist whose superlative technique is placed completely at the service of the composer. Who is Zequinha de Abreu? He wrote the song Tico Tico, made famous by an older Brazilian bombshell, Carmen Miranda. Marc-André Hamelin’s challenging arrangement provides the quirky (and, to be honest, not entirely appropriate) encore to this recital. Martino tosses it off with controlled…