Johan Halvorsen was always an essential mention on any “one hit wonders” list of classical composers, known exclusively for his Entry of the Boyars. I missed Volume 1 of this series but I’m just as enthusiastic about Volume 2 as everyone seemed to be about its predecessor. Grieg himself loved these scores. Much of the music (Three Norwegian Dances, Air Norvégian and Chant de Veslemöy) features violin solos, delightfully played here by Marianne Thorsen. The second longest piece is the Suite ancienne, formed from entr’acts for the incidental music for Holberg’s (as in Grieg’s Holberg suite) play The Lying-in Room. It’s a skilful pastiche of 18th-century dance forms.
My assessment of Halvorsen as a Nordic Eric Coates or Leroy Anderson was completely confounded when I heard the Second Symphony: it reinforced my amazement at how many seriously first-rate symphonies were composed by seriously obscure composers. This one is a little gem, with a recurring “fate” motive in all four movements (à la Tchaikovsky), a delicious oboe melody in the slow movement, reminiscent of the one in the slow movement of Bizet’s Symphony and a lovely intermezzo. All in under 28 minutes. An absolute winner!