Cho’s touch is impressively deft, perfect for the French master’s aquatic-inspired creations. Reflets dans l’Eau and Poissons d’Or, from the first and second books, respectively, of Images, ripple with ease. He draws exquisite lines and shapes throughout both books, evoking perfectly the dreamy insouciance of Cloches à Travers les Feuilles, and the soft austerity of Et la Lune Descend sur le Temple qui Fut.

Cho gave his first recital when he was 11 years old, and on the programme was Debussy’s Children’s Corner. He inhabits the playful innocence of these works brilliantly. Each interpretation is full of character; even the familiar Golliwogg’s Cakewalk seems to bear his personal stamp of tempo and touch. The Suite Bergamasque features some of his most impressively limpid and articulate playing, and the whole programme is brought off with a sumptuous and bold reading of L’Isle Joyeuse.