As to Ravel’s Mother Goose Suite, if there is a more radiantly beautiful piece of fairy tale music ever written, I doubt I’ve heard it. Musically, George Kleinsinger’s score for Tubby is very professional and works a treat. The American composer seems destined only to be remembered for this clever and delightful work, as we don’t hear much about his musical Shinbone Alley any longer.The Sydney Symphony Orchestra plays the Ravel better than it does the Britten (during which all concerned seem a bit indifferent).
As there are plenty of excellent recordings for adults of this music, I assume the slightly patronising tone adopted by two of the readers is aimed at younger persons. Fair enough, though I would have thought such an approach a bit dangerous these days. Marian Arnold does “put on dog” a bit and even Christopher Lawrence, who has such a witty and droll radio style, seems less relaxed than usual. Emma Ayres is the most suited to her part in Tubby the Tuba, striking just the right balance. Conductors Benjamin Northey and Marc Taddei get their respective jobs done well, although I remain cool towards the overly reverberant recording of the Britten.