It is a sweet-sounding instrument, quite emotional and even, in her hands, elegant, but always within a relatively narrow band of expression when compared to the more virtuosic concerto partners, the piano, violin or the unabashed French horn.
Mozart’s only surviving concerto for bassoon (he wrote three others, all lost) is a charming work, written when the composer was only 18 years old. It features a particularly beautiful andante, which has a delicious theme anticipating his famous aria Porgi amor from The Marriage of Figaro.
The main item on the disc is a recently-discovered concerto by Gioachino Rossini, or at least attributed to him by some scholars. If they are correct, this would be the last piece he wrote for orchestra, before he left Bologna to live the high life in Paris.
Sadly, it is a rather perfunctory piece with some pleasing moments but concluding with a rondo in which all high spirits seem assumed. It suggests, more than anything else, that the now-retired Rossini had said all he wanted to say in music.
More interest is found in two 19th-century concertos by Conradin Kreutzer and Bernhard Crusell, who ride above the limitations of the solo instrument to provide some decent musical pleasure.