Five years ago, an urgent text from a German conductor landed Australian flautist Lina Andonovska in Dublin working with that city’s premier group of contemporary players, Crash Ensemble. The task at hand was a new opera with a fiendishly difficult flute part, The Last Hotel by Irish composer Donnacha Dennehy (b. 1970). Cut to 2020 and Andonovska is still in Dublin with a new album, A Way A Lone A Last, featuring five new works written with her unique aesthetic...