The Cutting Cove Currawongs have spent so long at the bottom of the footy ladder, they are the laughing stock of their small coastal town. But with the arrival of two talented Marngrook cousins, things might just turn around. But not everyone’s happy. Named after the number Adam Goodes wore…

The Cutting Cove Currawongs have spent so long at the bottom of the footy ladder, they are the laughing stock of their small coastal town. But with the arrival of two talented Marngrook cousins, things might just turn around. But not everyone’s happy. Named after the number Adam Goodes wore…

The Cutting Cove Currawongs have spent so long at the bottom of the footy ladder, they are the laughing stock of their small coastal town. But with the arrival of two talented Marngrook cousins, things might just turn around. But not everyone’s happy. Named after the number Adam Goodes wore…

The Cutting Cove Currawongs have spent so long at the bottom of the footy ladder, they are the laughing stock of their small coastal town. But with the arrival of two talented Marngrook cousins, things might just turn around. But not everyone’s happy. Named after the number Adam Goodes wore…

The Cutting Cove Currawongs have spent so long at the bottom of the footy ladder, they are the laughing stock of their small coastal town. But with the arrival of two talented Marngrook cousins, things might just turn around. But not everyone’s happy. Named after the number Adam Goodes wore…

The Cutting Cove Currawongs have spent so long at the bottom of the footy ladder, they are the laughing stock of their small coastal town. But with the arrival of two talented Marngrook cousins, things might just turn around. But not everyone’s happy. Named after the number Adam Goodes wore…

When Kate Mulvany and Anne-Louise Sarks adapted Euripides’ Greek tragedy Medea, they told it from the perspective of Medea’s two doomed children, seen playing in a contemporary bedroom. The extraordinary, award-winning play premiered at Belvoir in 2012 and was staged overseas with Sarks directing. Now, Daniel Evans directs it for…

When Kate Mulvany and Anne-Louise Sarks adapted Euripides’ Greek tragedy Medea, they told it from the perspective of Medea’s two doomed children, seen playing in a contemporary bedroom. The extraordinary, award-winning play premiered at Belvoir in 2012 and was staged overseas with Sarks directing. Now, Daniel Evans directs it for…

When Kate Mulvany and Anne-Louise Sarks adapted Euripides’ Greek tragedy Medea, they told it from the perspective of Medea’s two doomed children, seen playing in a contemporary bedroom. The extraordinary, award-winning play premiered at Belvoir in 2012 and was staged overseas with Sarks directing. Now, Daniel Evans directs it for…

Bella Manningham thinks she’s losing her mind. In the evenings, she hears strange noises and the sitting-room gas lamps dim for no apparent reason. Her husband Jack is becoming exasperated by her anxiety. But is he the man he claims to be? Set in London in 1901, Patrick Hamilton’s 1938…

When Kate Mulvany and Anne-Louise Sarks adapted Euripides’ Greek tragedy Medea, they told it from the perspective of Medea’s two doomed children, seen playing in a contemporary bedroom. The extraordinary, award-winning play premiered at Belvoir in 2012 and was staged overseas with Sarks directing. Now, Daniel Evans directs it for…

Bella Manningham thinks she’s losing her mind. In the evenings, she hears strange noises and the sitting-room gas lamps dim for no apparent reason. Her husband Jack is becoming exasperated by her anxiety. But is he the man he claims to be? Set in London in 1901, Patrick Hamilton’s 1938…