For those of us lucky enough to have caught the one-off Sydney performance of Johan Inger’s I New Then in 2022, this is the moment we’ve all been waiting for: another work showcasing the Swedish choreographer’s unique contemporary voice. Set to Rodion Shchedrin’s brilliant arrangement of Bizet’s score, Inger’s retelling…

For those of us lucky enough to have caught the one-off Sydney performance of Johan Inger’s I New Then in 2022, this is the moment we’ve all been waiting for: another work showcasing the Swedish choreographer’s unique contemporary voice. Set to Rodion Shchedrin’s brilliant arrangement of Bizet’s score, Inger’s retelling…

For those of us lucky enough to have caught the one-off Sydney performance of Johan Inger’s I New Then in 2022, this is the moment we’ve all been waiting for: another work showcasing the Swedish choreographer’s unique contemporary voice. Set to Rodion Shchedrin’s brilliant arrangement of Bizet’s score, Inger’s retelling…

For those of us lucky enough to have caught the one-off Sydney performance of Johan Inger’s I New Then in 2022, this is the moment we’ve all been waiting for: another work showcasing the Swedish choreographer’s unique contemporary voice. Set to Rodion Shchedrin’s brilliant arrangement of Bizet’s score, Inger’s retelling…

For those of us lucky enough to have caught the one-off Sydney performance of Johan Inger’s I New Then in 2022, this is the moment we’ve all been waiting for: another work showcasing the Swedish choreographer’s unique contemporary voice. Set to Rodion Shchedrin’s brilliant arrangement of Bizet’s score, Inger’s retelling…

For those of us lucky enough to have caught the one-off Sydney performance of Johan Inger’s I New Then in 2022, this is the moment we’ve all been waiting for: another work showcasing the Swedish choreographer’s unique contemporary voice. Set to Rodion Shchedrin’s brilliant arrangement of Bizet’s score, Inger’s retelling…

For those of us lucky enough to have caught the one-off Sydney performance of Johan Inger’s I New Then in 2022, this is the moment we’ve all been waiting for: another work showcasing the Swedish choreographer’s unique contemporary voice. Set to Rodion Shchedrin’s brilliant arrangement of Bizet’s score, Inger’s retelling…

For those of us lucky enough to have caught the one-off Sydney performance of Johan Inger’s I New Then in 2022, this is the moment we’ve all been waiting for: another work showcasing the Swedish choreographer’s unique contemporary voice. Set to Rodion Shchedrin’s brilliant arrangement of Bizet’s score, Inger’s retelling…

For those of us lucky enough to have caught the one-off Sydney performance of Johan Inger’s I New Then in 2022, this is the moment we’ve all been waiting for: another work showcasing the Swedish choreographer’s unique contemporary voice. Set to Rodion Shchedrin’s brilliant arrangement of Bizet’s score, Inger’s retelling…

For those of us lucky enough to have caught the one-off Sydney performance of Johan Inger’s I New Then in 2022, this is the moment we’ve all been waiting for: another work showcasing the Swedish choreographer’s unique contemporary voice. Set to Rodion Shchedrin’s brilliant arrangement of Bizet’s score, Inger’s retelling…

For those of us lucky enough to have caught the one-off Sydney performance of Johan Inger’s I New Then in 2022, this is the moment we’ve all been waiting for: another work showcasing the Swedish choreographer’s unique contemporary voice. Set to Rodion Shchedrin’s brilliant arrangement of Bizet’s score, Inger’s retelling…

For those of us lucky enough to have caught the one-off Sydney performance of Johan Inger’s I New Then in 2022, this is the moment we’ve all been waiting for: another work showcasing the Swedish choreographer’s unique contemporary voice. Set to Rodion Shchedrin’s brilliant arrangement of Bizet’s score, Inger’s retelling…