Cate Blanchett has received a Tony Award nomination for her role in The Present. Her performance in the Sydney Theatre Company production marked Blanchett’s Broadway debut – although she has previously been seen in New York in several STC productions including A Streetcar Named Desire.
Cate Blanchett and Richard Roxburgh in Sydney Theatre Company’s The Present at the Barrymore Theatre on Broadway. Photograph © Joan Marcus
Tim Minchin’s new musical Groundhog Day, written with Danny Rubin who wrote the original screenplay for the 1993 film on which it is based, has received eight nominations including Best Musical, as well as nods for its book and score. Andy Karl who stars as Phil Connors, the jaundiced weatherman caught in a time loop, also received a nomination as Best Actor in a Leading Role in a Musical.
Last month, Groundhog Day – which received a five-star review in Limelight from Editor Clive Paget when it premiered in London – was named Best New Musical at London’s Olivier Awards.
Andy Karl in Groundhog Day. Photograph © Manuel Harlan
Leading the pack at this year’s Tony Awards with 12 nominations is the musical Natasha, Pierre & the Great Comet of 1812, Dave Malloy’s adaptation of War and Peace, given a thrillingly immersive production by director Rachel Chavkin. Dear Evan Hansen, a musical about a withdrawn teenager with a score by Benji Pasek and Justin Paul (La La Land), has received nine nominations, while Hello, Dolly! starring Bette Midler has landed eight.
The Present is an adaptation by Blanchett’s husband Andrew Upton of Chekhov’s sprawling, first, untitled play often called Platonov. It received rave reviews when it opened in Sydney including a four-star review in Limelight. However, the production of The Present and Blanchett’s co-star Richard Roxburgh missed out on nominations.
Speaking to Limelight, STC Artistic Director Kip Williams says: “We are so thrilled to see Cate’s incredible work in The Present be acknowledged in this way. Her performance of Anna Petrovna delighted audiences when the show played in Sydney and it is wonderful to see the New York industry respond in the same way. It is particularly special that Cate’s first Tony nomination comes for a role written for her by Andrew. As well as being a prodigiously gifted actor, Cate is a true ensemble player, and I know she’d be the first to acknowledge that The Present was a true ensemble work and that any accolade is a tribute to the work of each of the 13 Australian actors in the cast (all making their Broadway debut) alongside the wonderful STC creative team. Congratulations Cate!”
As announced last week, Blanchett is to return to the London stage in a new adaptation of the classic 1950 film All About Eve. She will play Broadway star Margo Channing – a character immortalised on screen by Bette Davis – in a production to be presented in the West End in 2018 by Sonia Friedman Productions (Harry Potter and the Cursed Child) and Fox Stage Productions. Dates and a theatre are yet to be confirmed. Ivo van Hove, which recently directed Hedda Gabler at the National Theatre and Obsession at the Barbican, is to direct. Blanchett was last seen on the London stage in STC’s production of Big and Small (Gross und Klein) for which she received rave reviews.
The Tony Awards will be announced at a ceremony on June 11 to be hosted by Kevin Spacey.
FULL LIST OF NOMINATIONS
Best Play
A Doll’s House, Part 2 by Lucas Hnath
Indecent by Paula Vogel
Oslo by JT Rogers
Sweat by Lynn Nottage
Best Musical
Come from Away
Dear Evan Hansen
Groundhog Day the Musical
Natasha, Pierre and the Great Comet of 1812
Best Book of a Musical
Come from Away by Irene Sankoff and David Hein
Dear Evan Hansen by Steven Levenson
Groundhog Day the Musical by Danny Rubin
Natasha, Pierre and the Great Comet of 1812 by Dave Malloy
Best Original Score (music and/or lyrics) written for the theatre
Come from Away by Irene Sankoff and David Hein
Dear Evan Hansen by Benj Pasek and Justin Paul
Groundhog Day the Musical by Tim Minchin
Natasha, Pierre and the Great Comet of 1812 by Dave Malloy
Best Revival of a Play
August Wilson’s Jitney
Lillian Hellman’s the Little Foxes
Noel Coward’s Present Laughter
John Guare’s Six Degrees of Separation
Best Revival of a Musical
Falsettos
Hello, Dolly!
Miss Saigon
Best Performance by an Actor in a Leading Role in a Play
Denis Arndt, Heisenberg
Chris Cooper, A Doll’s House, Part 2
Corey Hawkins, Six Degrees of Separation
Kevin Kline, Present Laughter
Jefferson Mays, Oslo
Best performance by an Actress in a Leading Role in a Play
Cate Blanchett, The Present
Jennifer Ehle, Oslo
Sally Field, The Glass Menagerie
Laura Linney, The Little Foxes
Laurie Metcalf, A Doll’s House, Part 2
Best performance by an Actor in a Leading Role in a Musical
Christian Borle, Falsettos
Josh Groban, Natasha, Pierre and the Great Comet of 1812
Andy Karl, Groundhog Day the Musical
David Hyde Pierce, Hello, Dolly!
Ben Platt, Dear Evan Hansen
Best performance by an actress in a Leading Role in a Musical
Denée Benton, Natasha, Pierre and the Great Comet of 1812
Christine Ebersole, War Paint
Patti LuPone, War Paint
Bette Midler, Hello, Dolly!
Eva Noblezada, Miss Saigon
Best performance by an Actor in a Featured Role in a Play
Michael Aronov, Oslo
Danny DeVito, The Price
Nathan Lane, The Front Page
Richard Thomas, The Little Foxes
John Douglas Thompson, Jitney
Best performance by an Actress in a Featured Role in a Play
Johanna Day, Sweat
Jayne Houdyshell, A Doll’s House, Part 2
Cynthia Nixon, The Little Foxes
Condola Rashad, A Doll’s House, Part 2
Michelle Wilson, Sweat
Best performance by an actor in a Featured Role in a Musical
Gavin Creel, Hello, Dolly!
Mike Faist, Dear Evan Hansen
Andrew Rannells, Falsettos
Lucas Steele, Natasha, Pierre and the Great Comet of 1812
Brandon Uranowitz, Falsettos
Best performance by an Actress in a Featured Role in a Musical
Kate Baldwin, Hello, Dolly!
Stephanie J Block, Falsettos
Jenn Colella, Come from Away
Rachel Bay Jones, Dear Evan Hansen
Mary Beth Peil, Anastasia
Best scenic design of a play
David Gallo, Jitney
Nigel Hook, The Play That Goes Wrong
Douglas W Schmidt, The Front Page
Michael Yeargan, Oslo
Best scenic design of a musical
Rob Howell, Groundhog Day the Musical
David Korins, War Paint
Mimi Lien, Natasha, Pierre and the Great Comet of 1812
Santo Loquasto, Hello, Dolly!
Best costume design of a play
Jane Greenwood, The Little Foxes
Susan Hilferty, Present Laughter
Toni-Leslie James, Jitney
David Zinn, A Doll’s House, Part 2
Best costume design of a musical
Linda Cho, Anastasia
Santo Loquasto, Hello, Dolly!
Paloma Young, Natasha, Pierre and the Great Comet of 1812
Catherine Zuber, War Paint
Best lighting design of a play
Christopher Akerlind, Indecent
Jane Cox, Jitney
Donald Holder, Oslo
Jennifer Tipton, A Doll’s House, Part 2
Best lighting design of a musical
Howell Binkley, Come from Away
Natasha Katz, Hello, Dolly!
Bradley King, Natasha, Pierre and the Great Comet of 1812
Japhy Weideman, Dear Evan Hansen
Best direction of a play
Sam Gold, A Doll’s House, Part 2
Ruben Santiago-Hudson, Jitney
Bartlett Sher, Oslo
Daniel Sullivan, The Little Foxes
Rebecca Taichman, Indecent
Best direction of a musical
Christopher Ashley, Come from Away
Rachel Chavkin, Natasha, Pierre and the Great Comet of 1812
Michael Greif, Dear Evan Hansen
Matthew Warchus, Groundhog Day the Musical
Jerry Zaks, Hello, Dolly!
Best choreography
Andy Blankenbuehler, Bandstand
Peter Darling and Ellen Kane, Groundhog Day the Musical
Kelly Devine, Come from Away
Denis Jones, Holiday Inn, the New Irving Berlin Musical
Sam Pinkleton, Natasha, Pierre and the Great Comet of 1812
Best orchestration
Bill Elliott and Greg Anthony Rassen, Bandstand
Larry Hochman, Hello, Dolly!
Alex Lacamoire, Dear Evan Hansen
Dave Malloy, Natasha, Pierre and the Great Comet of 1812
Special Tony award for lifetime achievement in the theatre
James Earl Jones
Special Tony award
Gareth Fry and Pete Malkin, sound designers for The Encounter
Regional theatre Tony Award
Dallas Theater Center, Dallas, Texas
Isabelle Stevenson Tony Award
Baayork Lee
Tony honours for Excellence in the Theatre
Nina Lannan
Alan Wasser
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