Review: Andrew Blanch (Classical Guitar Festival Sydney)
Subtle, intimate guitar playing that invites the listener to lean in close.
Subtle, intimate guitar playing that invites the listener to lean in close.
Beautifully staged and danced, each of the three works has its moments but the choreography needs more of a dynamic.
Magnificent Martinsson song cycle premieres in Australia before high-Romantic smasher – and everybody wins.
There's nothing like a Dame when it comes to Dowland.
High-energy performances drive this musical reboot of Nick Hornby's cult classic.
A feast for head and ears as David Robertson and the SSO kick off oratorio season.
Eddie Perfect’s new satirical play is an unpredictable, often caustically funny poke at its white, middle-class audience.
Misty Copeland makes a highly anticipated role debut in a breathtakingly beautiful production.
John Adams’ new opera proves there’s gold in them thar girls.
Amanda Muggleton delivers caustic humour, flying insults and real vulnerability as Maria Callas.
Omega’s string quartet leaves a lasting impression.
Virtuosic playing by the Goldner and Danish String Quartets, and a star turn by pianist Olga Kern.
The premiere of Paul Stanhope's much-anticipated Trombone Concerto receives a warm response.