Review: XENOS (Adelaide Festival)
A haunting lament of the body in conflict.
A haunting lament of the body in conflict.
An extraordinary reminder of Bernstein's skill, craft and humanity, which will live long in the memory.
A well constructed less-is-more cabaret homage to 'the Princess'.
A lavish retelling of a less familiar story ballet.
A quadruple bill offering original expressions of dance and music.
A dynamic, intimate and moving reinterpretation of Brahms’ Requiem.
Donald Runnicles and Nelson Freire prove you can't take familiar music for granted.
A colourful and energetic journey through the Quartet's musical worlds.
Ivo van Hove's dizzyingly multi-faceted production takes a compelling look at leadership across the ages.
Elgar's Dream is vividly brought to life.
This Belgian play about the Beslan school siege uses a unique perspective to try to make sense of the incomprehensible.
Peter Evans’ stylish but faceless production has a saving grace in two of its principals.
A top-notch, diverse line-up makes for a cracking start to this year's Adelaide Festival.