Review: Going Down (Sydney Theatre Company)
A compelling but imperfect play by Michele Lee is elevated by its excellent, side-splitting cast.
A compelling but imperfect play by Michele Lee is elevated by its excellent, side-splitting cast.
Damien Ricketson and Adena Jacobs' The Howling Girls is an immersive, dream-like exploration of trauma and voice.
Hugo Weaving's brilliant Arturo Ui is terrifying because he's familiar.
Impressive Aussie/American led concert series proves music can be a religion.
A touching tribute to an absent artist and a superb account of Mahler Ten makes this evening a gift.
Andy Morton finds a beautiful balance between the intimate and the epic in his harbour-side Bohème.
Michael Grandage's warm-hearted production of a classic animation should thaw the frostiest of hearts.
An exuberant, uplifting musical given a bobby-dazzler of a production.
An Austro-German program of two Classical works and two Romantic, long on youthful enthusiasm.
In this classic Mike Leigh play, an excellent cast reveals timeless personal and social anxieties in 1970s England.
From Gosfield’s spiky cactus needles to Lang’s hard-edged swagger, this was a cracking start to Ensemble Offspring’s 2018.
It's well worth spending a few hours with Ferruccio Furlanetto's Don.
A program focused on death with glimmers of light and hope.