Review: Carmen & The Firebird (Queensland Ballet)
Liam Scarlett's version of The Firebird is ravishing, and vastly more compelling than Carlos Acosta's Carmen.
Liam Scarlett's version of The Firebird is ravishing, and vastly more compelling than Carlos Acosta's Carmen.
Taryn Fiebig and Jud Arthur steal the show as a luminous Adam and Eve.
New York flute player Claire Chase kicks off Backstage Music’s 2018 season with a bang.
Forty years young: Canada’s finest continue to delight with a winning formula.
Blazey Best gives a heart-on-her-sleeve performance in a show that doesn't shrink away from the gritty realities of vaudeville and burlesque.
Sharon Millerchip charms in Willy Russell's ever-popular, uplifting play.
Joined by some international guests, the ARCO Chamber Soloists show us just what period instruments are capable of.
On its 10th anniversary tour, the musical reaffirms the huge, loveable heart it has beneath the camp, shiny exterior.
Nakkiah Lui's ferocious new comedy will have you on the edge of your seat from start to finish.
Lukáš Vondráček nailed every facet of Prokofiev's Third Piano Concerto, while John Wilson led a dignified, stirring rendition of Elgar's Second Symphony.
Devenish took centre stage for 60 minutes, delivering complicated experimental music with poised artistry.
A dazzling, electrifying work by Rafael Bonachela and his dancers that triggers all kinds of emotions.
Despite strong performances, the play doesn't fire as it should emotionally.