Review: Holst’s The Planets (Melbourne Symphony Orchestra)
Sir Andrew Davis navigated thrilling musical worlds both known and unknown.
Sir Andrew Davis navigated thrilling musical worlds both known and unknown.
Satisfying chamber music in a challenging venue.
Melbourne Con's ambitious production of Poulenc’s tragic opera a memorable experience.
A confident and admirable rendering of a timeless ballet.
A cleverly staged show that is gory, ghostly and very well performed – though not really that scary.
Alexander Gavrylyuk hurls Brahms' furious musical thunderbolt in the second instalment of the SSO's mini festival.
Sharp, humorous performances give a dated musical plenty of life.
Not so much a new music tasting plate as a sumptuous multi-course banquet.
Kate Mulvany's adaptation of Ruth Park’s monumental trilogy of novels soars.
A feast of Russian music, conducted by Sarah-Grace Williams, attracts a full house.
This theatre piece about Death is ingenious and thought-provoking but still has some way to go to reach its full potential.
Messiaen's Quartet for the End of Time the centrepiece in a concert that left the audience far from tormented.
Alban Gerhardt brings Dean's colourful new Cello Concerto to life with subtlety and fire.