Review: The Power of One (Canberra Symphony Orchestra)
The “sorceress of percussion” enchants a capacity crowd in a concert of Australian music.
The “sorceress of percussion” enchants a capacity crowd in a concert of Australian music.
Kate Mulvany is brilliant in this raw but heartfelt, life-affirming show.
A work that allows contemplation of ownership and belonging; of land and waterways.
Ellen Burstyn and a high-calibre Australian cast explore life, death and Beethoven.
An intricately composed dance work featuring an intelligent cast.
Vocally and emotionally, you longed for the depth of the man himself, but that was just plain unreasonable.
Seamless, vital performances that speak to the long-standing relationship between Daniel Harding and the musicians.
Benjamin Beilman, Giordano Bellincampi and the TSO deliver a truly outstanding evening of music.
Asher Fisch paints vivid musical landscapes in the SSO's Scottish concert.
Justin Fleming's writing is ingenious, but a pacier, more energetic production would heighten the play's impact.
Lise Lindstrom's potent Salome sweeps everything in her wake.
Trio Mediaeval and trumpeter Arve Henriksen offer a taste of how Vikings might have sung and composed.
A circus spectacular of acrobatic virtuosity.