Review: Indies & Idols (Australian Chamber Orchestra)
An extended reflection on a fascinating sound world.
An extended reflection on a fascinating sound world.
Jayson Gillham and the ASO end their Beethoven Piano Concerto cycle with the 'Emperor', and another standing ovation.
This triple bill to celebrate the company's 30th anniversary includes past Bangarra works and Stamping Ground by Jiří Kylián.
Andrew Rumsey performs the world premiere of Michael Dooley's deeply personal Piano Concerto No 1, and wins a standing ovation.
A significant step in Australia’s journey of reconciliation.
Andrew Bovell's wonderful, compassionate play about family is staged with a beautiful simplicity and clarity.
Nemanja Radulović’s Tzigane fulfils the promise made by his magnificent hair.
A magnificent performance by Anthony Warlow in the title role is the unforgettable highlight in a lacklustre production.
A rich realisation of Monteverdi's humane drama.
Australian pianist Jayson Gillham gives a mesmerising performance, with Nicholas Carter and the ASO providing perfect support.
Does hip-hop US history musical live up to the hype? And then some.
Such fine advocacy of Australian music augurs well for the future.
An infectious interactive experience from which there's no escape, even for the cautious bystander.