Review: The Wharf Revue 2019: UNR-DACT-D (Sydney Theatre Company)
There's some fabulously funny satire in this flashier than usual production, though not everything fires.
There's some fabulously funny satire in this flashier than usual production, though not everything fires.
Redefined from an Eastern perspective, this Rite is radically different.
A tale of resistance seen through Japanese eyes is a visual feast and reminder of much that's wrong today.
Vladimir Ashkenazy pairs a rare Russian giant with Holst’s glittering ode to the heavens.
A unique experience that's more about the journey than the destination.
A string of crowd-pleasing snapshots proves a highly enjoyable evening.
Vespers in the afternoon prove a delightful spring treat.
Summer winds blow in for an afternoon on the harbour.
In Brett Weymark and Sydney Philharmonia Choirs, Dvořák’s rarely performed Requiem has found convincing advocates.
Annie Baker’s intriguing play keeps you gripped from the minute the red curtain is drawn to reveal the kitsch, slightly weird B&B in Gettysburg.
Fun, high-energy entertainment, from various aerial wonders to a mesmerising hula-hoop act.
An accomplished rendition of the iconic ballet, but the production needs an update to avoid racial stereotyping.
The SSO strings take the spotlight as Vladimir Ashkenazy returns for a concert of English classics.