Review: Tasmanian Chamber Music Festival
A real sense of music as both a historical and a living art.
A real sense of music as both a historical and a living art.
Exciting, ravishing, brilliant, and undoubtedly exotic.
Anthony Warlow finally plays the dual title roles live in an impressive semi-staged concert.
Berlin-based violinist and improviser Biliana Voutchkova draws masterfully on an incredible palette of sounds.
The asylum setting is problematic and stale but see this to be moved by the singing and astounded by Circa's input.
An enthralling concert from Umberto Clerici, Nicholas Milton and the Canberra Symphony Orchestra.
Donald Runnicles offers up a rich and often exquisite meditation on death.
Massenet's Manon may not pass #MeToo muster, but Lisette Oropesa shines as all the stars align.
Don't let the name fool you – this concert by the Australian Chamber Orchestra is larger than life.
Melbourne Symphony Orchestra bring a pair of fine Australian works to the Big Apple.
A weird alternative world: a roller coaster of horror and humour.
A joyful production that demonstrates how it's possible to be world class while working on a shoestring.
Hui He soars as Minghella's thoughtful Butterfly, though all is not at ease down below.