Review: Rewired: Musicals Reimagined by Hayes (Hayes Theatre Co, Sydney Festival)
The Hayes is back on the boards with a genre-defying concert.
The Hayes is back on the boards with a genre-defying concert.
Sydney Chamber Choir celebrates its first concert of the year with an elegant, exuberant concert.
This sparse, solo character study falls slightly short of its bold ambition.
This new stage adaptation of the much-loved mockumentary film is joyously uplifting, and touching too at times.
Festive fare from Tamara-Anna Cislowska and her five colleagues as Sydney Town Hall hosts six grand pianos.
William Barton and Véronique Serret evoke an ever-shifting landscape that grips the audience from start to finish.
The new music ensemble leads an innovative, thought-provoking, and moving tour through Erskineville, which addresses Australian identity.
Though the message is mostly opaque, the 10 glorious humans performing are something special.
A sombre, sometimes explosive exploration of percussion set to the tense groove of US civil unrest.
Andrew Haveron braves wild weather as Vivaldi’s concertos are reimagined for the climate disaster of the 21st century.
Daniel Rojas and Ensemble Apex celebrate Latin American sounds with new tangos and reinventions of old classics.
Andrea James’s biographical play about Evonne Goolagong Cawley tells an important story, cleverly staged on a tennis court.
Inspired by Vivaldi's Four Seasons, there are some lovely visual and musical effects, but the production doesn't get to grips in real depth with the issues promised.