Classical music has been a lifelong passion of the veteran actor. He reveals how a chance invitation shaped his taste in music forever.

Australia’s disco queen is currently playing Teen Angel in Grease. She explains why her recent gospel album feels like a homecoming.

The founding director of GWB Entertainment has developed most of his musical connections through work – though his daughters are now expanding his horizons.

With a cabaret season about to open at the Sydney Festival, Victoria Falconer relives her journey from electronic organ to musical saw.

After working as a performer, choreographer and director in dance, physical theatre, opera and musicals, Kate Champion is fascinated by the power of music.

Sydney Opera House CEO Louise Herron reveals she often cries in concerts and practises the cello every morning before work.

Zahra Newman discusses growing up in Jamaica, playing Billie Holiday on stage, and her regret at not playing an instrument.

From his school days and newspaper run to a reluctant walk-out from the opera, the Australian Minister for the Arts relives his musical rite of passage.

The Composer-in-Residence at this year’s Australian Festival of Chamber Music (AFCM) explains how the theft of an 18th-century viola helped turn her into a composer.

The Artistic Director of Sydney Dance Company recalls his childhood dislike of flamenco, his discovery of classical music and his desire to use live musicians as often as he can.

The Australian singer-songwriter’s 30th album, My Life is a Symphony, released this month, is a personal look at her four-decade career.

The director of Melbourne Opera’s Ring Cycle recalls the classical input of her grandparents, and being astonished when she first heard an opera singer’s voice in rehearsals.