Find out what's on stage and streaming online in November from Limelight editors Jo Litson, Angus McPherson and Clive Paget.

As Wesley Enoch prepares his fifth and final Sydney Festival, we look at the successes and controversies of his artistic directorship, and whether the self-acknowledged risk-taker might follow his sister into politics.

Catch up on what's been in the Limelight with the top arts stories to recently make headlines.

As Sydney venues begin to open their doors, Steve Dow investigates the various COVID safety protocols in place.

From Nicola Benedetti’s “benchmark recording” of Elgar to Lang Lang’s less successful take on Bach.

As she prepares to lead the West Australian Symphony Orchestra in its return to the concert hall, the conductor tells us what she's been up to during the shutdowns.

Dynamic new music projects are emerging from lockdown, Julian Day reports.

The Australian conductor discusses her synaesthesia, her new role at Canberra Symphony Orchestra, and her love of butterflies.

Find out what's on stage – and streaming online – in October from Limelight editors Jo Litson, Angus McPherson and Clive Paget.

Catch up on what's been in the Limelight with the top arts stories to recently make headlines.

The Director of the National Gallery of Australia tells us about his mother’s inspiring passion for music, his own eclectic tastes from classical to electronic, and his love of vintage vinyl.

With an ambitious new musical survey underway, Clive Paget looks at the 18th-century movement that made bold men quake with fear and women fall into a faint.

When Claire Edwardes first discovered this weird and wonderful instrument in Holland she thought it might be rather one-dimensional, but in fact, she has discovered it is full of sonic possibilities.

Why the two wildly different productions are both such hits, and asks how the misogynistic opera is received today.

American mezzo Jamie Barton tells Clive Paget about recording Unexpected Shadows, Limelight’s Recording of the Month for October.

As ABC Classic releases his Concerto for Oud and Orchestra, recorded live with the Sydney Symphony, Joseph Tawadros explains his love for the instrument, and how the composition was born.