From Nicola Benedetti’s “benchmark recording” of Elgar to Lang Lang’s less successful take on Bach.

This issue includes features on Lang Lang, Whiteley: The Opera, Gondwana Choirs, Notre Dame, Jayson Gillham, Sweeney Todd, and much more.

Why do some still believe the Polish pianist bedded one of Paris’s most notorious sirens?

The greatest voices of all time. Why women in the ballet industry are at a turning point. Charlie Chaplin's secret life. Andreas Ottensamer. Bach.

The master of miniature piano forms, Chopin was spurred on by his passion for the writer George Sand and a deep understanding of his Polish musical roots.

The Chinese pianist tells us about his special relationship with the music of Chopin, and how he gears up for a performance, ahead of concerts in Melbourne and Sydney.

The September 2018 issue of Limelight Magazine features a celebration of Jørn Utzon's mighty Sydney Opera House, Composer of the Month Peter Sculthorpe, and much more.

The August 2018 issue of Limelight Magazine features the thrilling ride to international Wagnerian glory of Australian Heldentenor Stuart Skelton.

After winning the first 2018 season of 3MBS’s The Talent, the New Zealand-born flautist tells us why collaborating with peers and performing the music of living composers is so important to her.

You – our readers – share your thoughts about the performances you’ve loved, the stories that have piqued your interest and the state of musical life in Australia.

The South-Korean pianist discusses her first solo recital tour in Australia and how she’s getting to grips with a challenging world premiere.

SBS World News presenter Anton Enus grew up listening to the grand dames of jazz, but soon developed an obsession with Puccini’s seamstress when he discovered classical music in his 20s.

The June 2018 issue of Limelight Magazine features Queen of the Violin, Anne-Sophie Mutter on Tchaikovsky, Star Wars and stalking Daniil Trifonov.

We’d love to hear about the performances you’ve loved (or hated), the music you’re listening to or your favourite artists.

In his day, Ferdinand Ries inspired Schumann and Liszt. Now, Australia’s favourite pianist is rediscovering for Hyperion the concertos of a composer who forms the missing link between Beethoven and Chopin.

The pianist talks about his new recording, which sees him playing four different historic pianos for four different works.