The master of miniature piano forms, Chopin was spurred on by his passion for the writer George Sand and a deep understanding of his Polish musical roots.
The hugely successful stage adaptation of Hitchcock's spy thriller is back for seasons in Brisbane and Adelaide.
The composer tells us about conducting Doctor Atomic, Limelight's Opera Recording of the Year 2018.
The Gabrieli Consort's Artistic Director Paul McCreesh talks about A Rose Magnificat, Limelight's Vocal Recording of the Year 2018.
SYO Chief Conductor Alexander Briger remembers the orchestra’s inspirational former chief and asks why youth orchestras don’t do more opera.
As The Australian Ballet premieres its new production of Spartacus, we take a tour through the region in which the true story of the famous gladiator-rebel took place.
Ahead of its cinema showings, Broadway's leading lady talks Anna Leonowens in an age of Trump.
The Latvian conductor talks to Limelight about his latest Shostakovich disc with the Boston Symphony Orchestra, Limelight's Recording of the Year for 2018.
This new, immersive work by the adventurous ensemble has been fashioned from hours of field recordings, and requires custom instruments and an inflatable performance space.
Our writer spends a weekend by the Murray at the Albury Chamber Music Festival.
Long a champion of Johann Adolph Hasse, American mezzo-soprano Vivica Genaux waxes lyrical about a composer whose vocal writing she compares to the act of spreading peanut butter.
Constantly on the run, “Le Beau Visage” got into more amorous scrapes than Casanova.
The Japanese artist brings new sound worlds to the Asia Pacific Triennial at QAGOMA.